‘The Spectacle of Disintegration,’
by McKenzie Wark discusses the history, both past and modern, of Situationists
and their cause and movement. Within this book, Wark focuses on the
Situationist movement post-Situationist era. The book starts by giving you a
history of the movement, and really details Situationism from 1968 and on.
Though this book was full of information, it was very specialized for people
with backgrounds and knowledge of French art and culture and it’s ties with
Situationism. Further more, this book was entirely made of up anecdotes, and
unless you knew a good amount of information about the Situationists and their
history, you would be lost in reading, which I was. This book would be a great
second or third book to read about the Situationist history and movement, but
not for your first encounter with the ideals and thoughts behind the
Situationist movement.
My problem with this book was the
fact that it was so entirely based on un-explained notions, making it
inaccessible as it connected real life events and trends to specific knowledge.
The details within the book seemed to run together, as even after googling
information on Situationists; I could not comprehend their detailed yet
seemingly arbitrary stories connections to “situationists” ideas. This book
would be much easier to understand if the author gave some back story or
explanation of what exactly Situationists were and did, rather than just giving
example after example and making the reader sift for information.
Wark’s book
mapped the society of the spectacle, while tracing Situationist ideas and
occurrences and showing how they could still relate in our present day society.
The book starts off with an anecdote and then traces the history of
Situationism. In Chapter 2 of Wark’s book, he states that he has purposely put
anecdotes cut from their context to connect a theoretical itinerary to every
day life to prove that the Situationist theory is still applicable and alive
today. Wark points out in chapter one that today, our society relies on
consuming and buying, a much more consumer-based society comparatively to past
generations. Wark continues to state that this book is concerned with the
“third step” of taking three steps back to take one forward. This “third step”
is post May 68’ political defeat, and it works to continue to prove that the
Situationist movement is alive (Wark, 19-20).
The topic
of the Situationist idea of the spectacle was very interesting in Wark’s book.
The idea of the spectacle – government control through media and central
images, was shown through examples of daily life spectacles. Although it was
hard to decipher, the examples were very relevant. The spectacle is now quite
different from the original ideas of the term ‘spectacle.’ It is now much more
decentralized and in our every day lives via television commercials and shows,
advertisements on the Internet, magazines, social media, clothing, etc. And as
we absorb these images, ideals, and so called ‘norms,’ they become apart of our
lives and us. Wark shows how the spectacle has shifted and changed, but
continues to stay alive past the official “movement.” He also gave examples of the
revolution in 2010 in Thailand to show that there is still a more close to
original idea of the spectacle still in certain areas of the world (Wark, 27).
It
was interesting that Wark showed participatory culture through a history and
examples of a movement that wanted to change the ways of the world. It allowed
me to understand how beneficial participatory culture can be, but it also shows
that even though many participated through the decades, the Situationists did
not win and grand win, but rather were able to change their daily lives through
being aware of the spectacle, compared to people who allowed themselves to be
influenced and apart of the control of media, government, etc. The book also
pointed to things that could be fixed within society that would make the world
a better place – less corrupted. Although this book was not my first choice for
a read or textbook, it did allow for me to see specific participation in many
different cultures, as well as the idea of how participation can change.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.